a5c7b9f00b <a href=">Bonnie Parker is bored with life and wants a change. She gets her chance when she meets a charming young drifter by the name of <a href=">Clyde Barrow. Clyde has dreams of a life of crime that will free him from the hardships of the Depression. The two fall in love and begin a crime spree that extends from Oklahoma to Texas. They rob small banks with skill and panache, soon becoming minor celebrities known across the country. People are proud to have been held up by Bonnie and Clyde; to their victims, the duo is doing what nobody else has the guts to do. To the law, the two are evil bank robbers who deserve to be gunned down where they stand.
Bonnie Parker, a bored waitress falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
This is one of the truly revolutionary films of the 1960s. The brutal violence and bloodshed, along with the amoral approach towards its characters, helped set the stage for later films suchSam Peckinpah's "The Wild Bunch." The acting is superb, with Michael J. Pollard and Estelle Parsons turning in Oscar worthy performances. It's a pity that we haven't seen more of these two actors.
"Bonny and Clyde" is a classic–now adored by critics and film historians. It's considered ground-breaking because of its style of film makingwellits violence–something previously unseen in films. And, while I did enjoy it, I just didn't understand the love people have heaped upon it. Yes, it was well made but the film was far from perfect. My biggest complaint against it is my history teacher complaint–it was bad history. Bonny was 4'10" and darker haired–nothing like the more glamorous Faye Dunaway. And many of the things attributed to them in the film were actually things done by John Dillinger , Pretty Boy Floyd or other criminals. And, most importantly, they were NOT heroes but evil bastards who killed and robbed with abandon. No, the film is NOT even close to being historically accurate.<br/><br/>Now I am NOT saying this is a bad film. It is exciting and enjoyable–and it presents Bonnie and Clydewe WISHED they'd been. The exciting anti-heroes who actually were characters more of the 1960s than anything else. They flaunted convention, rebelled against the status quo and 'did their own thing'–sort of like hippie versions of the 1930s. It is a 60s version of the 1930s–sexy, crazy and fun…but NOT the actual Bonnie and Clyde. For what it is, it's very well done…but also a retired history teacher's worst nightmare! The acting is good, the direction very good and the story interesting. However, it is odd that Estelle Parsons won the Oscar among the five nominated actors–as she was god-awful. Her screaming and annoying character was not just historically wrong but very annoying. How she alone won an Oscar is beside me. A very good film…but a far from perfect film. And without Parsons' wretched characterization, I'd have given this one a 9.
It's by far the least controlled of Penn's films, but the pieces work wonderfully well, propelled by what was then a very original acting style.
Small-time bank robber Clyde Barrow (<a href="/name/nm0000886/">Warren Beatty</a>), recently out of prison, meets bored West Dallas waitress Bonnie Parker (<a href="/name/nm0001159/">Faye Dunaway</a>), and the two of them, along with Clyde's brother Buck (<a href="/name/nm0000432/">Gene Hackman</a>), Buck's wife Blanche (<a href="/name/nm0663820/">Estelle Parsons</a>), and not-so-bright gas station attendant Clarence "CW" Moss (<a href="/name/nm0689488/">Michael J. Pollard</a>), embark on a legendary crime spree, robbing banks all over the Midwest during the Depression era (early 1930s), all the while pursued by Texas Ranger Frank Hamer (<a href="/name/nm0701500/">Denver Pyle</a>). Bonnie and Clyde was based on a screenplay co-written primarily by American screenwriters-directors David Newman and Robert Benton, with script doctor Robert Towne and principal actor Warren Beatty receiving uncredited contributions. Eugene (<a href="/name/nm0000698/">Gene Wilder</a>) had just let it slip that he was an undertaker. Apparently, Bonnie didn't want to be reminded of her own mortality and the fact that an undertaker's office is where she and Clyde were eventually, maybe soon, going to end up, so she had Clyde kick Eugene and his girlfriend Velma (<a href="/name/nm0262748/">Evans Evans</a>) out of the car. Another possibility,evidenced by the next scene in which Bonnie is emphatic about seeing her mother again, is that she realizes that her mother is getting older and, like her, is headed for the undertaker. It's also been suggested that this scene introduces the notion that Bonnie isn't entirely happy with her lifea bank robber, which explains why she began writing poetry and why she wanted to have a picnic with her family. Yes, but not immediately. This was confirmed by his sister Marie in an A&E interview that originally aired in 1994. She claimed that Buck was shot through the head—in one temple and out the other—during the shootout at the tourist cabins in Platte City, Missouri. He was further wounded in the back during another shootout four days later in a field near Dexter, Iowa. He died of his injuries at Kings Daughters Hospital in Perry, Iowa five days after his capture on 29 July, 1933. After recuperating from their gunshot wounds at the home of C.W. Moss' father Malcolm (<a href="/name/nm0852305/">Dub Taylor</a>) (Note: in the credits, he is referred toIvan), Bonnie, Clyde, and CW go into town. When Bonnie and Clyde are ready to drive home, CW is nowhere to be found, having been warned by his father that he made a deal with Hamer. Clyde notices a police car pulling up beside his car and signals to "Gladys Jean" that it's time to go home. They drive off together, while CW watches, believing that they have outwitted the police yet again. As Clyde and Bonnie head back to Malcolm's house, they encounter him on the side of the road changing the tire on his truck. They stop to help, but Malcolm suddenly dives under his truck and Clyde notices a bunch of birds scattering from a tree. Clyde realizes it's an ambush, but it's too late. He and Bonnie are mercilessly machine-gunned down. In the final scene, Hamer and his deputies come out from the bushes and view their handiwork. They were shot down on 23 May, 1934. Bonnie is buried at the new Crown Hill Cemetery in Dallas. Clyde is buried in Western Heights Cemetery in Dallas.
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